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This means that cultural issues-are likely to be the mainstream clinicians-those who are nonsigning primary providers of trauma-informed and who may be just developing their knowledge of treatment for deaf children and their Deaf cultural issues-are likely to be the primary families. Therefore, we believe that it is essential to create collaborative efforts involving the Deaf community, specialized providers, and mainstream clinicians to facilitate the delivery of effective treatment to deaf children and/or families experiencing traumatic stress. They offer information on ways nonspecialized mainstream providers can use consultative, culturally affirming strategies to adapt their existing trauma treatment models and enhance their competence in working with deaf clients. Best practice interventions within mental health place a clear value on client-centered and strengths-based services for all consumers (Rapp, 1993; Rapp & Wintersteen, 1989; Ronnau & Poertner, 1993; Dennis Saleebey, 1992; D. This document offers a tool for mainstream clinicians in maintaining that value in their treatment of deaf clients. Clinicians must understand this diversity as it relates to deaf children and their families. In particular, they need to recognize the impact of two different ways of looking at deafness described by Baker and Cokely (1980)-the medical-pathological model and the cultural model. The medicalAddressing the Trauma Treatment Needs of Children Who Are Deaf or Hard of Hearing and the Hearing Children of Deaf Parents National Child Traumatic Stress Network It defines the Deaf community as a group of persons who share a common language and culture, social affiliation, and educational background, along with the experience of oppression. Because healthy beliefs about their deafness are so important to the psychological wellbeing of deaf children, wherever possible, this guide will emphasize the cultural model of deafness. In their work on counseling the culturally diverse, Sue and Sue (2003a) state that culturally competent mental health professionals must be aware of their own assumptions, values, and biases. Because a medical-pathologic view of deafness is pervasive in the dominant hearing culture, therapists working with deaf and hard of hearing children who have experienced trauma must understand the effects of the medical model on these children and their families: Culturally affirmative therapists strive to extend the relevancy and usefulness of psychotherapy to culturally different people. Two Dominant Beliefs about Deafness As identified in the previous section, there are two dominant perspectives on deafness. The cultural model sees the deaf person as a part of a community with its own cultural norms and values. Deaf people socialize with other Deaf people and feel they belong to the Deaf community. They are taught to believe that their future options are endless and there is nothing wrong with them. King Jordan, the first Deaf president of Gallaudet University, who said, "I can do anything, except hear. Deaf individuals are fitted for hearing aids or undergo a cochlear implant in attempts to make them "hearing. They often view themselves as handicapped or disabled and therefore different from hearing people. Three Types of Cultural Identities Deaf persons typically identify with one of three cultural identities: hearing, Deaf or bicultural. Figure One below illustrates the key cultural norms associated with each of these identities. Children whose hearing loss is present at birth and those who lose their hearing at an early age, especially those with profound hearing loss, are more likely to identify with the Deaf community and Deaf culture. Their hearing loss affects their ability to communicate with persons who are hearing, so they often have difficulty identifying with the hearing culture. From the beginning, they are more comfortable with their Deaf peers, and thus are more likely to adopt this culture. They have been a part of the hearing world, and their social and family environments are in this world. Because people who lose their hearing later in life identify themselves as hearing, they may have to reestablish their new identity as late-deafened. Some eventually resolve these issues by adopting a middle course, becoming part of both the hearing world and the Deaf community. Persons who are comfortable with both the hearing and the Deaf communities are said to be bicultural. They do not try to hide their deafness and are able to function effectively in both worlds.

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He is now widely acknowledged as the first important soul artist, and his work proved an incalculable influence on James Brown, Aretha Franklin, Curtis Mayfield, Otis Redding, Sly Stone, and innumerable others. When Charles went on to record Tin Pan Alley and country mate rial in the 1960s, far from leaving his soul stylings behind, he brought them along to help him forge new, wider-ranging, and arguably even braver combinations of styles. This was a period of in creasing political restlessness and ferment in the United States. The youth audience for pop culture was directly implicated in the politics of the Vietnam War, as all young American men between the ages of 18 and 26 were eligible to be drafted into the armed forces. In addition, a significant number of young people were involved with the many orga nizations, demonstrations, and legal initiatives that characterized the civil rights movement. During the late 1960s an "alterna tive" rock music scene established itself in San Francisco. The city had long been a center for artistic com munities and subcultures, includ ing the "beat" literary movement of the 1950s, a lively urban folk music scene, and a highly visible and vocal gay community. Jefferson Airplane was the first nationally successful band to emerge out of the San Francisco psychedelic scene. Along with the Quicksilver Messenger Service and the Grate ful Dead, Jefferson Airplane was one of the original triumvirate of San Francisco "acid rock" bands, play ing at the Matrix Club (center of the San Francisco alternative nightclub scene), larger concert venues such as the Avalon Ballroom and Fillmore, and at communal outdoor events such as happenings and be-ins. Joplin came to San Francisco in the mid 1960s and joined a band called Big Brother and the Holding Company. Their achieve ments were built on the shoulders of previous generations of electric guitar virtuosos - Les Paul, whose innovative tinkering with electronic technology inspired a new genera tion of amplifier tweakers; T-Bone Walker, who introduced the elec tric guitar to R&B music in the late 1940s; urban blues musicians such as Muddy Waters and B. Jimi Hendrix was the most original, inventive, and influential guitarist of the rock era, and the most prominent African-American rock musician of the late 1960s. In 1966 he moved to London, where he joined up with two English musicians, bassist Noel Redding and drummer Mitch Mitchell, form ing a band called the Jimi Hendrix Experience. The Experience was first seen in America in 1967 at the Monterey Pop Festival, where Hen drix stunned the audience with his flamboyant performance style. This sort of guitar-focused showmanship, soon to become commonplace at Guitarist Jim Hendrix fused elements of rock, soul, blues, and jazz. During the 1970s, the music indus try created a number of rock genres, designed to appeal to the widest possible demographic and promoted on Top 40 radio and television. Mu sicians as diverse as Led Zeppelin; Stevie Wonder; Elton John; Carole King; Pink Floyd; Paul Simon; Neil Diamond; Crosby, Stills, and Nash; the Rolling Stones; Frank Zappa and the Mothers of Invention; and Santana were promoted by record companies under the general head ing of rock music. Many others insist just as fer vently that rock continues alive and healthy today, and many will agree that it is hard to argue with their evi dence. The profusion of forms and genres that can be called, in one way or another, rock music, is astound ing. They continue to be played and heard and, just as significantly, to provide the stimulus for new forms and styles of popular music in America and around the world. Artists like the Weavers and their leader Pete Seeger, and, a few years later, the Kingston Trio, and Peter, Paul, and Mary mated political protest themes and an urban intellectual sensibility to a musical style inspired by rural folk music. The baby boomers were reaching college age, demonstrating increasing cultural and political interests and awareness, Bob Dylan playing the harmonica and acoustic guitar in 1963. But Dylan stood out early for the remarkable quality of his original songs, which reflected a strong gift for poetic imagery and metaphor and a searing intensity of feeling, sometimes moderated by a quirky sense of irony, and for his rough-hewn performance style, combining aggressive vocal, guitar, and harmonica and demonstrating affinities to rural models in blues and earlier country music. Early in 1965 Dylan released his fifth album, Bringing It All Back Home, in which acoustic numbers shared space with songs using electric guitar and drums. Tambourine Man," was covered by the fledgling California rock group the Byrds; their version of "Mr. Tambourine Man" soared to Number One in June 1965, thus becoming the first landmark folk-rock hit. The lesson was not lost on Dylan, who returned to the recording studio early in the summer with a rock band to cut his own breakthrough single, "Like a Rolling Stone. Pop records on serious subjects, with political and poetical lyrics, sprang up everywhere; before long, this impulse carried over into the making of ambitious concept albums. The later 1960s flowered into a period of intense and remarkable innovation and creativity in pop music. Despite the popularity of "Like a Rolling Stone" and a few singles that followed, Dylan never really established himself as primarily a "singles artist. Although his influence was at its peak in the 1960s, Dylan has continued to be a widely admired and closely followed artist into the new century.

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However, setbacks and regressions occur more regularly than advances; in this fast-moving world, the majority of societies and political regimes, including those founded on democratic principles and ideals, have problems achieving and maintaining a balance between individual freedom and Social Justice in an Open World: the Role of the United Nations social justice. The myriad difficulties and uneven progress notwithstanding, continued pursuit of these ideals is essential; even if Sisyphus is unhappy, he must fulfil his duty. Building upon this brief overview, the chapters below provide more detailed information and observations for further reflection and debate. The Charter, of which the Statute of the International Court of Justice is an integral part, treats justice as a broad principle that ought to be applied in international relations. In the Preamble and Article 1 of the Charter, justice is associated with respect for international law. In Article 2, justice is linked to the sovereign equality of all Members and to the maintenance of peace and security. The references to peace and the equality of nations imply that each State should refrain from any use of force that may jeopardize or undermine the territorial integrity or political independence of another. Another implication is that the United Nations should not intervene in matters that are "essentially within the domestic jurisdiction of any State" (Article 2, para. The concept of justice as defined above will be referred to in the present text as international justice, with the principles of sovereign equality, non-intervention, and equal voting rights constituting the legal aspects of international justice. By the mid-1960s another dimension of international justice had taken shape with the decolonization of a number of countries. The United Nations assumed increasing responsibility for helping these newly independent Member States in their efforts to achieve economic and social progress. International cooperation for development was placed next to the maintenance of peace and security as a second pillar upon which the activities of the United Nations were based, the main objective being to narrow and ultimately close the gap between developed and developing countries. Efforts relating to this goal of bridging the distance separating poor and affluent nations are identified here as representing the developmental aspects of international justice. The concept first surfaced in Western thought and political language in the wake of the industrial revolution and the parallel development of the socialist doctrine. It emerged as an expression of protest against what was perceived as the capitalist exploitation of labour and as a focal point for the development of measures to improve the human condition. It was born as a revolutionary slogan embodying the ideals of progress and fraternity. Following the revolutions that shook Europe in the mid-1800s, social justice became a rallying cry for progressive thinkers and political activists. Proudhon, notably, identified justice with social justice, and social justice with respect for human dignity. By the mid-twentieth century, the concept of social justice had become central to the ideologies and programmes of virtually all the leftist and centrist political parties around the world, and few dared to oppose it directly. Of particular importance in the present context is the link between the growing legitimization of the concept of social justice, on the one hand, and the emergence of the social sciences as distinct areas of activity and the creation of economics and sociology as disciplines separate from philosophy (notably moral philosophy), on the other hand. Social justice became more clearly defined when a distinction was drawn between the social sphere and the economic sphere, and grew into a mainstream preoccupation when a number of economists became convinced that it was their duty not only to describe phenomena but also to propose criteria for the distribution of the fruits of human activity. The application of social justice requires a geographical, sociological, political and cultural framework within which relations between individuals and groups can be understood, assessed, and characterized as just or unjust. The country typically represents the context in which various aspects of social justice, such as the distribution of income in a population, are observed and measured; this benchmark is used not only by national Governments but also by international organizations and supranational entities such as the European Union. At the same time, there is clearly a universal dimension to social justice, with humanity as the common factor. Slaves, exploited workers and oppressed women are above all victimized human beings whose location matters less than their circumstances. In their discussions regarding the situation of migrant workers, for example, Forum participants readily acknowledged the national and global dimensions of social justice. Social Justice in an Open World: the Role of the United Nations 13 Social justice: the equivalent of distributive justice In the contemporary context, social justice is typically taken to mean distributive justice. The terms are generally understood to be synonymous and interchangeable in both common parlance and the language of international relations. The concept of social/distributive justice is implied in various academic and theoretical works and in many international legal or quasi-legal texts (such as the Charter and Universal Declaration) that may only include broad references to "justice". In certain international instruments, including the Copenhagen Declaration and Programme of Action adopted by the World Summit for Social Development in 1995, references to social justice are more explicit. In the tone-setting first chapter of A Theory of Justice, a masterpiece published in 1971, John Rawls refers on several occasions to the "principles of social justice" when formulating his two "principles of justice".

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These exercises serve the goals of the dance class and may also motivate children to engage more readily in strenuous exercise necessary for their physical health. In addition, physical improvements can lead to general confidence and competence overall. Eight-year-old "Jessie," blind, in a wheelchair, with partial paralysis on her left side, is told repeatedly by the teacher to sit up straight, "like a dancer. Her parents had tried everything to get her to stop slumping over and improve her posture. Incorporate Other Arts Activities to Highlight Student Strengths and Interests Welcome partners from the school community to introduce, teach, or enhance your work through other art forms, such as storytelling, theater, singing, and visual arts activities. Art teachers and music teachers as well as willing and talented parents can be wonderful, collaborative teaching partners. Hold Students Accountable Have as high expectations for children with disabilities as you do for their typically developing peers, holding them accountable for their performance in class, with their partner, and on stage. The expectation must be that all students, regardless of disability, engage in exceptional effort. A student with visual impairment cartwheels next to his partner, while others hold hands to dance across the stage. Valuable social interactions occur backstage, as friendships are fortified through the shared exhilaration of accomplishment and performance. Reverence: Final partnership Notes and Next Steps "Julio," a blind student with significant rigidity in his muscles and severe limitations in movement initiation and processing, was further locked away from learning and peer interaction due to a lack of English language proficiency. He had recently arrived in the United States, his family seeking services for his disabilities. His partner was determined to teach him, but made little progress in the first class. In the second class, when Julio was asked to clap the rhythm instead of doing the movement with his legs and feet, he demonstrated musical precision, and the ability to follow complex musical rhythms. David joined the Lighthouse class, initially as an alternative to his gym class, where his special needs were not accommodated. Already a gifted musician, David, at age 16, discovered a passion and talent for dance he had not previously known and is now looking for ways to study dance, along with his studies in neurobiology, at his college. Meghan enters college next year and intends to study special education with a focus on disability rights. Researchers are finding ways to empirically study the benefits of dance participation and powerfully advocate for dance as an unassailable core subject in K-12 education (Blasing, Puttke, & Schack, 2010, Deasy, 2002, Grafton, 2009, Ruppert, 2006). We should all be prepared to deliver the education that each student deserves, insisting on standards of excellence in our teaching and for each individual according to his or her ability. To achieve and maintain this level of excellence, let us look to the creation of meaningful partnerships at the intersection of arts education and special education. Peer-Assisted Learning Strategies: Making Classrooms More Responsive to Diversity. Peer-Assisted Learning Strategies: An EvidenceBased Practice to Promote Reading Achievement. Peer-Assisted Learning/Literacy Strategies, What Works Clearing House Intervention Report, U. American Dance Association, Division of American Alliance for Health, Physical Education and Dance, http: United States Department of Education (search for "arts" or topic of interest). See also, individual state departments of education and search for "arts education" Dance Companies, Performances, Classes and Teacher Training 1. All children who have the opportunity to participate in music have a better quality of life and a deeper understanding of the world around them (Dahan-Oliel, Shikako-Thomas, & Majnemer, 2012).

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You can obtain info1mation regarding your anest and conviction record from the police depa1tment, the comt with which your interacted, or the Wisconsin Circuit Comt Access website at the Madison Police Department will perfo1m a background check to verify that the info1 mation you have provided is complete and accurate. If there are concerns about your anest and /or conviction record as it relates to your application, or if it appears that you falsified or omitted info1 mation from your application, you may be called to appear before the Alcohol License Review Committee. If you are asked to appear but choose not to do so, your application may be denied. Meetings of the Alcohol License Review Committee are open to the public and televised. As a juvenile, were you ever waived into adult collli and convicted of a felony or misdemeanor Yes Yes Yes 0 0 0 No No No Have you ever been convicted by a military collli-martial Have you ever been convicted of disorderly conduct that involved violence against another person List Any ~Citations, Tickets, or Criminal Charges Year Location Charge At the time of the incident were you under the influence of alcohol and /or other Did the incident occur in or around an establishment that serves alcohol At the time of the incident were you under the influence of alcohol and /or other Yes Did the incident occur r or around an establishment that serves alcohol Year Location Dane Charge 2003 2003 manufacturing delivery of cocaine base as party to a crime. The undersigned affirms that he/she made comp lete and true answers to each question and understands tht his/her past record will become part ofthis application and that the app licant apply ing for an Operator License is a Wisconsin resident. If you are unsure about how to respond to any questions on this fo1m, check with the City Clerk for clarification. You can obtain info1mation regarding your anest and conviction record from the police depa1tment, the comt with which your interacted, or the Wisconsin Circuit Comt Access website at The Madison Police Department will perfo1m a background check to verify that the info1mation you have provided is complete and accurate. As a juvenile, were you ever waived into adult colllt and convicted of a felony or misdemeanor List All Citations, Tickets,:lunicipal/Ordinance Violations and Criminal Convictions (Excluding Parking Tickets). At the time of the incident were you under the influence of alcohol and /or other drugs The undersigned affirms that he/she made comp lete and true answers to each question and understands tht his/her past record will become p art ofthis application and that the applicant apply ing for an Operator License is a Wisconsin resident. DaJe:/")/44< Liquor/Beer Agent City of Madison Clerk Class A: Beer, Liquor, Cider Class B: Beer Liquor1 licensing@dtyofmadison. Sol Penalty for materially false application information: Any person who knowingly provides materially false Information on this app/lc. Penalty for materially false application Information: Any person who knowingly provides materially false Information on this application may be required to forfeit not more than $1,000. Tavern Premises: 1224 is a commercial storefront business property consisting of approximately 2350 square feet. The establishment must close by midnight, Sunday thru Wednesday evenings, except for up to five times per month. Furthermore, the establishment must close by 1:00 am Thursday - Saturday evenings. The establishment must keep the rear door closed except for deliveries, loading, unloading and emergencies. Patrons under the age of twenty-one (21) may be allowed on the premise only for the purpose of live entertainment.

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These goals will not be achieved without more direct involvement by college faculty and students in the schools, long before the culminating student teaching assignment. Villa and Thousand (2003) indicated that teacher education candidates must learn to become collaborative team members and develop the necessary skills that will enable them to work with colleagues to develop diversified learning opportunities for students who range in interests, learning styles, and intelligences. Furthermore, these researchers found in a study of 600 educators, that collaboration "emerged as the only variable that predicted positive attitudes toward inclusion on the part of general and special educators" (p. This can occur on both personal and professional levels, from face to face interactions with students, teachers and parents, to the establishment of urban classrooms serving diverse learners. These classrooms become living laboratories where college students, faculty, and school teachers can collaborate in action research efforts to analyze behaviors and various classroom situations, identify problems, and propose and implement solutions. Nationally, some forty-four percent of students in elementary and secondary schools today are students of color while our teaching force remains predominately white (Center for Public Education, 2007). Other forms of diversity in our schools include students who: are children of immigrants, are biracial and multiracial, live in poverty, and who identify themselves as gay, lesbian or bisexual (Center for Public Education, 2007). In addition, the inclusion movement has resulted in another major shift in the current school population where three out of four students identified with disabilities spend part or all of their day in general education classes, learning alongside their peers without disabilities (National Education Association, 2012). These demographics are reflected in Buffalo where the Art Partners program takes place. Most of the student teacher volunteers in the Art Partners program are from middle class, suburban and/or rural backgrounds and have had little experience with diversity. We can start by providing more and earlier hands-on field work experiences, such as Art Partners, that include opportunities for teacher candidates to succeed in working with the diverse range of learners attending urban schools. Since art is another language for the students, they also create a visual statement that communicates their expectations and feelings about field work assignments before they begin in Art Partners. Many expressed initial apprehensiveness and feelings of inadequacy about teaching urban students, indicating feelings of anxiety about working with students who are culturally different from them. They conveyed similar emotions regarding students with disabilities, most often citing the fear that they will not be able to communicate effectively with them. Stereotypes like kids who have no respect for teachers or adults, acting out, street educated students who may be at risk of dropping out, gang problems, and poverty. I thought the students would sense my fear and apprehension and take offense to it. Virtually all students rated themselves as feeling more comfortable about working with urban students who have special learning needs or are culturally different, with many commenting that they had great misconceptions prior to their participation in Art Partners. It involved working in a group, team teaching, lesson planning, an urban setting, children with special needs. I feel so much more prepared for student teaching, and now I know I can be successful in an inner city school and with kids who have special needs. If expectations of achievement and behavior are set high early, and the teacher works equally hard to help the kids get there, success and learning are inevitable for any student. In post-program survey comments as well as artwork discussion, many students described their participation in the Art Partners program as life-changing, underscoring the need to provide personal experience with diverse students living and learning in urban settings as early as possible for our teachers in training. Understanding Underserved Urban Schools and Students Throughout their fieldwork in the Art Partners program, student teachers, alongside their faculty instructor, increase their awareness of the social, economic and political factors relevant to urban schools, while developing their understanding of students from diverse cultural backgrounds who possess a range of learning styles and abilities. One of the first things student teachers discover is that their students with disability classifications defy stereotypical notions implied by various special education labels. In helping teacher candidates to understand and embrace inclusive practice, it is essential to explore their initial notions of special education, helping them to reframe their view of diversity. She feels that this division hampers our ability to think critically about the ways in which issues of diversity are connected, and how they can be addressed in an integrated manner. Sapon-Shevin suggested that if we "conceptualize disability as a social construct", then we can link the disability agenda to the larger diversity mandate, allowing us "to value multiple identities and communities", and see diversity not as a problem in the classroom but more as a "natural, inevitable and desirable state" (p. She believes that if we can look at all differences within this more inclusive framework, we can better understand and implement more effective and collaborative approaches to teaching our diverse student body, enriching educational experience for teachers and students alike as we come to understand that learning ability is another form of difference among us. Another crucial issue student teachers in Art Partners examine is the disproportionately high numbers of culturally and linguistically diverse students, particularly students of color, who are placed in special education (Harry & Klingner, 2007). Such disproportionality has immediate as well as long term effects, not the least of which are contributing to racial separation and further widening of the achievement gap (Tempes, 2003). Misidentified African American students in particular, many of whom live and learn in urban communities, most often receive classifications of learning disabled and emotional or behavioral disorder.

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To investigate community opioid dispensing patterns up to three months post-discharge. Despite this previously unreported increased incidence of hyperthyroidism, Mori receive a disparate level of care at all stages, from access to diagnosis (delayed diagnosis, reduced community therapy initiation) through to ongoing care (elevated hormone levels, reduced response to therapy). Once diagnosed, after the first year of follow-up, Mori were five times more likely to be unable to attend a hospital-based clinic appointment, received 20% less blood tests and were over twice as likely to need an acute hospital admission. These findings of reduced access to care result in Mori experiencing more complications from prolonged under-treatment. As it is currently delivered, the current hospital-focused chronic care model is failing to provide for Mori communities. To identify barriers to attending outpatient-based hospital clinics and assess patient preferences for alternative follow up strategies Paper-based anonymised survey of patients attending thyroid clinic. The most popular options for follow-up were: current model (83%), email (63%), clinical nurse specialist (62%) and phone (60%) with only 17% selecting videoconferencing from medical centre or their own home (23%) as in the top three options. Barriers to care were identified by 81% of participants, particularly work and parking issues (both cost and the car-parking building). This preliminary data serves to start discussion on means to improve follow-up care. Hospital databases and community dispensing records will be used to identify eligible patients and dispensing patterns post-discharge. Thirty-eight percent (n=13) of patients who met study criteria had an opioid prescription dispensed on discharge (oxycodone and codeine only, average supply period nine days). The median age of patients was 81 years; 77% were female; 23% were Pilot results 2. Thyrotoxicosis is a common disorder in Aotearoa with significant consequent morbidity and mortality. The prevalence of cancer in a primary care practice Dong Hyun Kim,1 Rawiri Keenan,2 Lynne Chepulis,2 Chunhuan Lao,2 Fraser Hodgson,3 Chris Bullen,4 Ross Lawrenson2 1 Faculty of Medical and Health Sciences, University of Auckland, Auckland; 2Waikato Medical Research Centre, the University of Waikato, Hamilton; 3Fraser Hodgson, Mahoe Medical Centre, The Awamutu; 4 School of Population Health, the University of Auckland, Auckland. Primary care data was shown to be sensitive (87%) for identifying cancer patients in the community. Furthermore, these findings suggest Granger causality could be a useful tool for predicting regain of responsiveness during anaesthesia, assuming similar results are yielded in a clinical dataset. Elliott-Buma S, Ragupathy R, Issa M, Vickers J, Aberhart J, Goddard J Pharmacy Services, Waikato District Health Board, Hamilton. There is an increasing prevalence of cancer survivors in the community due to an ageing population, implementation of cancer screening programmes and advances in cancer treatment. There were 235 cancer diagnoses (39 cancers in Mori patients and 196 in non-Mori patients). The sensitivity of the primary care data for identifying invasive cancer was calculated as 87%. The age standardised prevalence rate for cancer in Mori patients was 2,400/100,000 and 1,677/100,000 for non-Mori patients. The most prevalent cancers were breast, male genital organ, digestive system and melanomas. Changes in consciousness and responsiveness have been associated with changes in information flow between regions of the brain. However, these changes-such as the direction of information flow, timing and regions involved- are poorly understood. Granger causality describes the amount of information flow between two electrodes by using auto-regressive models to assess whether past information at one electrode helps to predict current information at another electrode. Information flow remained at zero until a few minutes before regain of responsiveness where Granger values increased to four times the induction values. This global loss of information flow during unresponsiveness is intriguing and, to the best of our knowledge, has not previously Mori experience inequities in aspects of health leading to poorer health outcomes.

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Like other mechanisms reviewed by the committee, psychological and social factors could exacerbate other forms of pathology and have to be considered as contributors to morbidity in some of the cases, especially for individuals with chronic symptoms. This functional vestibular disorder may be triggered by vestibular, neurologic, other medical, and psychological conditions, and offers a potential avenue for rehabilitative interventions. Biological effects of electromagnetic radiation (radiowaves and microwaves)-Eurasian communist countries. Magnitude of behavioral deficits varies with job-related chlorpyrifos exposure levels among egyptian pesticide workers. Role of radical pairs and feedback in weak radio frequency field effects on biological systems. Mass psychogenic illness and the social network: Is it changing the pattern of outbreaks Exposure to pesticides and mental disorders in a rural population of southern Brazil. An epidemiological study on occupational acute pyrethroid poisoning in cotton farmers. In Transcranial magnetic stimulation: Clinical applications for psychiatric practice, edited by R. In Biological Effects and Medical Applications of Electromagnetic Energy, edited by O. Cognitive processing of visual stimuli in patients with organophosphate insecticide poisoning. Auditory event-related potential changes in chronic occupational exposure to organophosphate pesticides. Operant behavior and colonic temperature of Macaca mulatta exposed to radiofrequency fields at and above resonant frequencies. Atypical chikungunya virus infections: Clinical manifestations, mortality 29 Copyright National Academy of Sciences. Review of published literature between 2008 and 2018 of relevance to radiofrequency radiation and cancer. Havana syndrome: Neuroanatomical and neurofunctional assessment in acquired brain injury due to unknown etiology. Travel surveillance and genomics uncover a hidden Zika outbreak during the waning epidemic. Respiratory complications of organophosphorus nerve agent and insecticide poisoning. Outbreak of mysterious illness in a hospital poisoning or iatrogenic induced mass psychogenic illness. Comments on "Outbreak of mysterious illness in a hospital poisoning or iatrogenic induced mass psychogenic illness. Effects of long-term organophosphate exposures on neurological symptoms, vibration sense and tremor among South African farm workers. Stimulation of the brain with radiofrequency electromagnetic field pulses affects sleep-dependent performance improvement. Recent advances in radiotherapy and its associated side effects in cancer-a review. Systematic review of long-term neurological effects following acute exposure to the organophosphorus nerve agent sarin. A comprehensive review of the research on biological effects of pulsed radiofrequency radiation in Russia and the former Soviet Union. Electromagnetic fields act via activation of voltage-gated calcium channels to produce beneficial or adverse effects. Journal of Toxicology and Environmental Health Part B: Critical Reviews 2(2):161-181. Temporal bisection in rats: the effects of high-peak-power pulsed microwave irradiation. Health effects from exposure to organophosphate pesticides in workers and residents in Israel. Neuropsychological sequelae from acute poisoning and long-term exposure to carbamate and organophosphate pesticides.

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  • https://www.flintridge.org/newsresources/documents/MandatedReporting_CADeptofSocialServices_May2003.pdf
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